The New Book - Still Death

Regular readers of the blog may have noticed that while I've posted about writing, I haven't actually mentioned anything about a current project for some time. That's about to end, as I'm thrilled to say my latest book is due out on 8th November. 

While I'm in the early stages of writing a book, the ideas often feel so tenuous I don’t like talking about them. Winnie the Pooh best sums up this feeling, 'When you are a Bear of Very Little Brain, and you Think of Things, you find sometimes that a Thing which seemed very Thingish inside you is quite different when it gets out into the open and has other people looking at it.' 

Once I have the feel of the characters and the ideas are firmer, my problem then is finding a title. It's quite difficult talking about your current project when you don't know what to call it. Once I've written the first draft, I spend ages coming up with words and phrases that link to the ideas and themes of the book. This time I took so long to find anything I liked that I'd actually got to the beta reader stage and was still without a title. I gave my beta readers the list of ideas I'd been playing with, and fortunately they all liked the same title - Still Death. As you might guess from this it's a murder/mystery!

Over the past few weeks I’ve been working with Andrew of Design for Writers, and once again he’s come up with an amazing cover. Unlike some of my previous novels, I knew exactly what I wanted, and Andrew has captured the opening scene brilliantly.

So without further ado – drum roll – the cover for Still Death.

I find writing the novel easier than writing the blurb that goes with it, but if you're interested in knowing more about Still Death, here goes... 

The first was a hit and run.

The second a murder/suicide.

Who will be next?

Lexie believes Patrick has been set-up for the murder of his girlfriend, but she is the only person who does.

After living in London, she thought life in a small town would be boring, but there are too many accidents to be a coincidence, and they all appear linked to the death of Patrick's girlfriend.

Lexie is determined to find out who is behind it until her family becomes one of the statistics.

Death still lurks in the quietest places. 

In the next post I'll talk a bit more about writing the book and give you a sneak preview of the opening scene.

Train Your Brain

Much of my 'day' work is in the area of learning and development. I've always been interested in how we learn, and what we can do to retain more of what we learn. That knowledge would have been useful when I took exams at school.

Here are a couple of learning tips I like because I also relate them to writing. Some of the links are tenuous, but that's how my brain works!

One thing that teachers have always known, and anyone sitting through a long PowerPoint presentation, is that we don't pay attention to boring things. Apparently research shows we check out after ten minutes. Believe me I've sat through some presentations and not even reached the ten-minute mark before my mind was somewhere else.  On the positive side emotion helps the brain to learn. There are talks I heard 5+ years ago that I remember clearly, because the presenter used stories or created a talk rich in emotion.

How does this apply to writing. Boring is not going to cut it, especially in fiction. If you absolutely have to read a non-fiction book for a test or exam then you'll do it, but how much better if you can enjoy what you're reading. Non-fiction doesn't have to mean dry and boring, we can use stories and anecdotes to make information relevant and easier to remember.

In fiction if the story doesn't grab me I'll put the book down. What does hook us is emotion. What type of emotion? That depends on your genre. The emotion used for a horror book will be different to writing a romance - at least I'd hope so, though I enjoy a touch of humour added to most things.

We have short and long-term memory. Moving something from short-term to long-term memory works better if we can link it to relevant existing knowledge or memories. Retrieving a piece of information, such as a name or a memory,  is much like searching for a book in a library - the better the storage system, the easier it is to retrieve what we want.

As you probably already knew, smell is very good at triggering memory.

How to use these things in writing. I watched the start of a mystery/thriller a few nights ago. A lone police officer turned up at an isolated house in a desert area. He walked around the house knocking on doors and windows, but couldn't get any answer. Up to that point it had been silent, but then came the sound of a single fly. Aha - there has to be a dead body. The viewer or reader links new information to current knowledge. 

There is an informal agreement between the writer and the viewer/reader. This is basically that if we put emphasis on something, the reader will assume it is important. If the police officer had merely swatted the fly and driven off, I would be unhappy, as I expected more. If we name and describe a character the reader puts effort into remembering this person. Futile and annoying if the character is just delivering pizza and doesn't play any further role. As the quote goes, 'If you put a gun in the first act, then it should be fired in the second act.'  In the case of the thriller, as the police officer approached the shed so the buzzing increased, as did the number of flies once he turned the corner.

Don't forget to use smell in your descriptions. I'm sure that became pertinent to the police officer as he got closer to the body. Smell is very evocative, and too often we spend a lot of time on visual descriptions and forget this very important sense. Likewise sound, the buzz of that single fly was a strong signal for what was to come

Now I just need to remember to apply all this. Simple!

Research

On Twitter last night one of the trending hashtags was Things not to say to a writer. One tweet was along the lines of - 'At least you don't need to do research for a novel.'

Definitely not something to say to a writer.

The research for novels is interesting, and of course some genre's need much more research than others. I doubt whether I'll ever write a historical novel.  I think there is a real gift involved in getting the voice correct for the time period, while not making it impossible to understand now.  But even ruling out historical novels there is still a lot of research required for different topics.

I had a few funny looks when I asked what I would need to do to car brakes to cause an accident. Cue a hasty explanation that it was for a scene in Driftwood.

Lives Interrupted is about a group of people coping with the aftermath of the London bombings. I did a lot of research about the bombings themselves, but also on various types of injuries and rehabilitation.

My current work in progress starts with a suicide, and so I've been researching the police procedures around that.

Don't need to research to write a novel - huh.

What topics have you had to research while writing your novel, and did you find it easy?

Romance Formula

Apparently the best selling books on Amazon are thrillers and romance. Not exactly a surprise I guess. I was discussing this with a writer friend, and we thought we should combine these into another genre - crick-lit.


This article talks about a romance formula and scientific options for finding the right person for you.  It looks at smell tests, DNA analysis to assess compatibility, and facial analysis. Interesting article, but I'm not sure it would make a good romance novel.